wk5- AUD114 – Digital & analog audio

Digital audio

transducer – mic is transducer

analog signal flow:
spl-mic-mic preamp-console-???- DAW

Analog to digital :
anything digital in signal flow requires processing

ADC/DAC process – anolog to digital or digital to analog
most digital audio devices have built in ADC/DAC’s (eg. rverb/fx unit/delay pedal,etc)

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why digital?

-its easier/convenient

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ADC
acts like transducer
translates electrically to numeric (1 and 0’s)

analog signal from mixer,mic preamp,etc – sampling – quantisation

sampling – taking portions
measuring analog signal voltage at various time intervals determines by sample rate
sample rates always in KHz
determines number of measurements taken of analog sig voltage/sec
(think of sample rate like camera pixels)

Nyquist frequency – highest freq an ADC can handle is = to half the sample rate (eg. 48khz would have Nf of 24khz)

alias frequency – incorrectly sample resulting in frequencies that were never there being heard in playback (form of distortion- not good)

anti-aliasing filter – most gear has built-in & will role of freq above selected khz (steep freq sound bad)
Oversampling – 1.OS on record 2. OS on playback (creates nicer sounding role off

*soundworks – sound of godzilla documentary 

quantisation –  making things in time/putting something on grid
involves amplitude
assigns binary number to each taken sample
ie. bit depth
bit is 1 or 0 (binary numbers) – basically on or off switch
eg. 16bit ADC would give 16 digit number to each sample taken
greater bit depth = more accurate

quantisation error – sample voltage unlikely to have precise binary value. gets rounded up or down to nearest quantisation value (changes waveform slightly)
lower signals suffer most of Q errors as less bit res is used (its rounded down)

Dither – filtered white noise – white noise = all freq played at same level
dither basically white noise cut around 1-5khz (hides form your ears)
dither reduces Quantisation error

‘what is PCM’ video

multiplexing –  making it interleaved
error processing signal flow

AUD114 – Wk2 – amps/re-amping/DI boxes

This week Rose took us into the studio and thoroughly went through the different effects and sounds you can get out of a guitar amp without needing any pedals (she used a VOX amp – i think).
We also broke down how the signal flow of re-amping practically works.
How the signal from a DAW can be sent back out into the live and into and amp and recreating the guitarists performance while having it sound exactly like its being played through.

Re-amping – Sending a recorded (DI’d) signal back through an amplifier and recording that.

DI Box – captures the impedance of a signal and keep that unaltered from the amp/other effects. *you can get a DI recording from anything with a 1/4 jack

Although I don’t know if I will remember how to do what was shown in class properly, I do think this will help with understanding the signal flow relative to the patch bay better.